Law and Art

This working document served as a basis for a lecture given in French at the Académie des Sciences morales et politiques  (French Academy of Moral and Political Sciences) on September 25, 2017, in the cycle of conferences conducted under the presidency of Michel Pébereau,  Quelles réformes ? (What reforms?) Consult the presentation (in French) of the conference cycle (2017). It served as the basis for the publication of an article published  in French in 2018 in the book directed by Michel Pébereau Réformes et transformations (Reforms and transformations).

Through the Open Culture website, it is possible to listen to Hayao Miyazaki who, in March 2017, claimed that video games whose drawings are made on Artificial Intelligence basis are "insults to life". Read below the history, the words that the Master has held, his conception of what is creation and "truly human" work, which is echoed by the definitions given by Alain Supiot, who also reflected on what robots do. This brings us back to the very notion of "creation" and creative work.   - Read below

Full reference : Frison-Roche, M.-A., Au cœur du Droit, du cinéma et de la famille : la vie ("At the heart of Law, Cinema and Family: Life"), preface of La famille au cinéma. Regards juridiques et esthétiques ("Family in Cinema. Legal and Aesthetic Perspectives"), Florès-Longou, M. and Épinoux E. (ed.), coll. "Droit & cinéma",  Mare & Martin, 2016, pp. 21-27. Read a general presentation of the book Read the working paper from which the article was written, containing some notes and a hundred links, especially towards film extracts.  Read the article (in French) This introductive article, which constitutes the preface of the book, relies on approximatively one hundred movies to show that cinema does not stop to show legal situations and protagonists, even if "Family Law" seems to be less the darling child than the actors of the trial. We find the child, the mother and the father, the spouses and the engaged people. Often with the shape of drama, breaks and machinations and even murders, because it is like that that family appears on the screen. It is difficult to not fall asleep facing the peaceful happiness of happy families.   But why such a confluence between Cinema and Family Law?  Because both have a purpose: life.  Do not being anxious about family life, it is not understanding Family Law. And because Cinema take life itself as purpose, so when we want to learn Family Law, it is the path towards Cinema that we should take.   

This working paper served as a basis for the preface of the book: Magalie Flores-Lonjou and Estelle Épinoux (ed.),  La famille au cinéma. Regards juridiques et esthétiques ("Family in Cinema. Legal and Aesthetic Perspectives"), pref. Marie-Anne Frison-Roche, coll. "Droit et Cinéma", Éditions Mare et Martin, 2016. Since the transmission of the text, this working paper has been updated many times.  It contains links towards approximatively 90 movies which appears relevant to me for this topic.